How Precious, Precious How?
Ceramic material and specifically Porcelain is perceived as special for many and in some cases precious. We esteem its qualities, in being pure (white), it has clear dichotomies: it symbolises strength and fragility, birth and death. These are the main reasons it has become the most powerful and predominant material in my work, in representing the natural world, both as we know it and as we imagine it. The other materials I use in conjunction with clay have their many purposes but they are used as reminder of our world being increasingly man-made, industrial/technological, plastic, concrete or throw-away. In showing precious ceramic in collaboration with these other materials I hope to highlight even more, clay’s particular beauty and strangeness, as well as its nastier side….(ceramicists will know, bisqued crank clay is nasty, what happens when a wet foam is added?)
Many known materials produce a ‘knee-jerk’ reaction. Even just by looking, our teeth can hurt, think of how ‘nails down a blackboard’ makes the nerves in our mouths/teeth set on edge, these sorts of visceral connections are linked to the mouth and involves taste. Babies explore everything with their mouths, it’s a primal sense but over the years we acquire memories of materials through our experiences with them. Perhaps you will have memories of a particular material. Whether you know clay well or not, it doesn’t matter, I would like to hear your thoughts.
If you would like to visit Aimee, you should RSVP through her website…
Open Studios
Venus_Cube from A Game of JUG
BSAD Ceramics 
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